Spending time researching this area brought out many interesting changes through time. From imaginary subjects, through biblical times, romantic settings and atmospheres through to modern interpretations of this genre. The following are some that particularly stood out for me representing a passage through time, mainly 18th century to present day:
Cao Fei, The Birth of RMB City 2009. Second life environment. Tacita Dean, Bubble Hose 1999. R-type photograph 99×147 (39×57 1/8). No place Utopian possibility.
Modern contemporary artists such as the example above most definitely voice their environmental concerns through their interpretations of this genre.
Vincent van Gogh 1853–1890
Title: The Oise at Auver 1890
Medium: Graphite and gouache on paper
Dimensions, Support: 473 x 629 mm
Bequeathed by C. Frank Stoop 1933
Up until the eighteenth century landscapes weren’t seen as important in terms of recording them for historical purposes or documenting them for educational purposes.
“By the late nineteenth century, some of the world’s most beloved landscapes were being painted by artists like Van Gogh and Monet, practising the technique of en plein air, or painting outdoors. Now that pre-mixed boxed paints were readily available, the artists could travel outdoors to paint amidst a more natural setting, further developing the quickly changing social customs and the idea of the weekend. The bourgeoisie could take the train to the countryside on the weekends, escaping the drab of the city. Moments like these were captured by the Impressionists and their contemporaries, documenting this new lifestyle in paintings of landscapes and social scenes. Their modern masterpieces broke ground for today’s contemporary landscape artists”.