Research point: Artists who have sought to express the more emotional and subjective aspects of landscapes:

I had spent a large amount of time researching this area. Here are some of the examples that I have come across:

Salvador Dali (Surrealist – Dream like):
image

The persistent memory
1931 oil on canvas
9.5 inches x 13 inches
Location: Museum of modern art New York
I love how Dali uses the landscape to express his story: “The craggy rocks to the right represent a tip of Cap de Creus peninsula in north-eastern Catalonia. Many of Dalí’s paintings were inspired by the landscapes of his life in Catalonia. The strange and foreboding shadow in the foreground of this painting is a reference to Mount Pani.”

Gustav Klimt (Symbolist movement):
image

Sourced: http://constantcircles.com/wp-content/uploads/2015/07/birch22-klimt.jpg
The birch wood
Gustav Klimt (1862-1918)
Birch Forest
signed ‘Gustav Klimt’ (lower left)
oil on canvas
43¼ x 43¼ in. (110 x 110 cm.)
Painted in 1903

“Klimt’s landscapes express his wider concerns with biological growth and the cycle of life. Their dazzling decorative surfaces and abstracted motifs align him with emergent modernist tendencies. The trees depicted in Pine Forest I 1901 seem stylised, rendered in a strict vertical rhythm with reduced spatial depth, the quasi-pointillist brushstrokes recalling the treatment of costume in his portraits of Marie Henneberg and Hermine Gallia. The foliage in The Park 1909–10 is similarly flattened while his late Garden Landscape with Hilltop 1916 recalls the symbiosis of naturalism and ornament in the contemporary work of Egon Schiele (1890–1918).”

Paul Nash (Emotional and subjective aspects of landscape):
image

Sourced: http://www.rennart.co.uk/nash.html

Wood on the downs 1930 (Aberdeen art gallery)

One of the most evocative landscape painters of his generation. Tate gallery says “Nash, however, found his personal inspiration in the English landscape and he saw himself in the tradition of English mystical painters William Blake and Samuel Palmer. He was particularly drawn to landscapes with a sense of ancient history: grassy burial mounds, Iron Age hill forts and the standing stones at Avebury and Stonehenge. For him these sites had a talismanic quality which he called genius loci, or ‘the spirit of a place’, and he painted them repeatedly.”

Landscape painters of this genre really do bring such a greater depth to the world around us. Yet again through art a subject that can often be taken for granted, can be used to express the depths of a persons soul. Beautiful!

https://en.m.wikipedia.org/wiki/The_Persistence_of_Memory

http://www.tate.org.uk/whats-on/tate-liverpool/exhibition/gustav-klimt-painting-design-and-modern-life-vienna-1900/gustav-8

http://www.christies.com/LotFinder/lot_details.aspx?intObjectID=4807502

http://www.tate.org.uk/whats-on/tate-liverpool/exhibition/paul-nash

http://jamesrussellontheweb.blogspot.co.uk/2011/10/paul-nash-in-pictures-wood-on-downs.html?m=1

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